Priscilla Presley of Those
amazing Animals
TV Guide, Sept 20, 1980
By Elizabeth Kaye
As
a cohost of 'Those Amazing Animals', Priscilla Presley is struggling to launch a
career of her own
Photographs of her, as she used to be, are pressed
with care into scrapbooks that are kept on special shelves and tables in rooms
all over the world. The woman in these pictures has thick, lacquered black hair
and there are heavy black lines around her eyes, but she is nontheless beautiful
and famous mostly for the amazingly famous face that is, in the most of these
pictures, right next to hers.
The era of such pictures, the black hair
and the man with the famous face ended one day in January of 1973. Seven years
later she's still beautiful; more so, in fact, with hair soft and blonded and
the most delicate pastel shadings above her enormous blue eyes. Now she no
longer looks like someone's idea of how she should be, but like
herself.
Had Elvis Presley lived, stories that they would someday be
reconciled would have kept magazines selling endlessly from grocery-store racks.
But things worked out another way, and her deep and complex connection with him
was relegated to the past, though she retains their daughter, a settlement of
money, her carefully guarded memories of him, and his name.
Priscilla
Beaulieu Presley has always seemed a kind of fairy-tale figure, a persona
created for her in the years of her marriage, when she was kept at home in a
mansion in Memphis and was the Rapunzel of rock and roll. Her birthplace,
however, is utterly prosaic: Brooklyn, N.Y. she didn't live there long, however,
because her father was an Army colonel subject to such constant transfers that
in one year she attended four different schools. "It makes you grow up with a
very insecure feeling," she says. "You begin to wonder who your friends are--and
what are friends."
Her defense against this world was a fantasy
life that had the advantage of being portable, and that turned her loneliness
into self-sufficiency. "My dreams when I was small could best be described by
seeing 'The Black Stallion'." She smiles, for then as now she not only loved
animals but found it easier to obtain a rapport with them than with most
people. "Animals have no ulterior motives," she says. "and once they love you,
they're always there." Another fantasy involved singer Mario Lanza. "From the
time I was 9, I had an affinity with him. I loved his music and I had been told
that he was very lonely and I identified with that. I used to play his records
and talk to him and try to make him feel better."
Five yrs later, she had
become an unusually adult 14-year-old, and she met another lonely man with a
remarkable voice who was 10 years older than she was, and also intrigued by
Lanza, thought that was something she did not learn about Elvis Presley until
much later. They had met in Germany, where both Private Presley and her father
were stationed. After Presley's release from the Army and return to Memphis, he
called Colonel Beaulieu to request that Priscilla be permitted to live with him
in what was to be fully chaperoned situation. Priscilla Beaulieu moved to the
Memphis estate known as Graceland when she was 16, thus leaving the unreal world
of the Army for another unreal life.
She completed her high-school
education at a girls' school in Memphis. After graduation, her life seems to
have been dictated by that of her future husband, and her time was spent at
Graceland, in California when he was making movies, and in Palm Springs. When
she was 21, they were married. Their daughter was born the next year. "I was
totally devoted to my life style at that time, to being a wife and mother. I had
no ambitions then. It was a totally other life."
Her husband's world in
Memphis was a place of rolling green lawns and thoroughbred horses, yet it seems
to have increasingly become a blighted Eden, one that could have debilitated a
young woman who had entered it as young as she did. "I think I've always had my
feet on the ground and that's why I've been able to survive. I've always, deep
inside, known that happiness is really peace of mind. I stress that to my
daughter all the time. When I say I want to give her the best, I don't mean the
best things, but the best in understanding and communication, and in hearing
what she has to say. It's not that I put down having things. It can be
wonderful, it gives you freedom. I just feel that unless you have peace of mind
to go along with it, it means nothing."
She was married to Elvis for five
and a half years. Her reasons for leaving him have remained her own, though she
says, "I didn't leave to do a career. My God, it was so much more complicated
than that." She and her daughter moved to Los Angeles, and to the degree that
that city can be called "the real world," she was in the real world for the
first time. "Even thought I've always been sheltered myself," she says, "I also
have to know about life, to be aware, to know what's going on. I've never wanted
to be around only people who are locked into a prestigious life style because
that's not real. I want to be in there with people who are struggling to do what
they care about." Then, clearly, some level of struggle appeals to her?
"Definitely. I like to struggle. And I have."
Since becoming a single
woman, Priscilla Presley has received countless letters from women who are in
what they assume to be her previous situation. These are women with lovely homes
and children, women who feel they should be happy with them and with their
husbands and are not. "They aren't doing what they really want to do," Priscilla
Presley believes. "So many women don't because they're scared to. And they don't
do what they meant to do: flourish."
She set aside some of her own fears
in 1973 when she opened a clothing boutique in Beverly Hills. "It was mostly
something to do after my divorce," she says, "but I was there every day, and it
was work."
She sold her interest in the store in 1977 and did some
traveling. "But I wasn't fulfilled. I felt something was missing." In 1978 she
took steps toward becoming an actress and model, and in so doing got a taste of
that special fear that comes with doing what one really wants to. "I didn't want
to look back some day and wish I had tried for that career while I had the
chance."
Being a Presley in show business is like being a Kennedy in
politics: because of your name, doors are opened for you, and behind those doors
wait extremely cynical people. "The first six months of going out on interviews
and to different companies, I met a lot of people and I saw the negativity that
was there. I could feel the vibes. I could feel people thinking: what does she
want?, or who does she think she is?, or she's just cashing in on this or
cashing in on that. That wasn't the case at all. I wanted to work."
When
she began her show-business career she already had the particular by-products of
celebrity: she was already rich and famous, and already something of a star,
even if that designation was the result of seeming rather than being. So hard
work and the self-regard that accompanies it were what she had to gain from the
entertainment world, and to get them she had to risk what could be a public and
embarrassing failure. "Even more than that," she says, "there are all those
negative comments. But I've got to do what I've got to do for myself. I'm at a
time when I value my life and the products I produce from it. And I want to
attain a goal, so I can't get into that."
Her first big job, in 1979, was
a commercial for a hair-product company. "People think I was just offered it,"
she smiles. "I wish it were that easy."
In 1978 she had begun taking
acting lessons. For a year and a half she auditioned for some parts she did not
get, and was offered some parts she did not want, including, she has said, a
part as one of Charlie's Angels. "A lot of television," she believes, "is a
shallow look at what it's not like. I wanted to do something that was good,
rewarding, beneficial, educational--and something that meant growth for me." In
May 1980 she found a show that seemed to her to fill all those
requirements.
Those Amazing Animals, produced by the same company
that produces That's Incredible!, follows similar lines, except the
stories concern animals instead of people. She will serve as host of the show
with Burgess Meredith and Jim Stafford, and her responsibilities include
introducing animals, from tarantulas to pythons, and interviewing guests. As it
happens, this is a job that did just come to her.
Executive
producer Merrill Grant had seen her on talk shows and knew of her interest in
animals, a requisite for all three hosts. He never considered anyone else for
the assignment. "While her last name is not a marquee liability," he says, "it's
not enough to get her signed for a prime-time television show. In this town
she's considered to be an attractive, intelligent personality who can handle
herself in show-business terms. We wanted her for all those things, and that's
true. That's true"
The show went on the air in August. Eventually, she
hopes to find work in feature films, but for now the television series is the
focus of her attention. "I don't care about being a superstar," she says, "but I
feel I have something to give and to share, and if I can do that and maintain my
values...well, I can."
So now the woman from the make-believe worlds is
planted firmly in that part of the real world where competition is toughest.
"When I was little," she says, "I knew that whatever I did--and I didn't know
what it would be--but I knew that whatever it was, I would give everything to
it. I think a lot of kids feel that way. You just want to be the best at
whatever you do. I've been through a lot of conflict. There's been tragedy to
cope with. There's been a fight for survival. Now I feel certain of myself. I
can say: this is me, this is who I am. and I accept that."